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・ Joseph Couture
・ Joseph Cowen
・ Joseph Cowgill
・ Joseph Cowles Mehaffey
・ Joseph Cox
・ Joseph Coymans
・ Joseph Coyne
・ Joseph Craig
・ Joseph Crandall
・ Joseph Crane
・ Joseph Crane Hartzell
・ Joseph Cranston
・ Joseph Craven
・ Joseph Craven (politician)
・ Joseph Crawford
Joseph Crawhall II
・ Joseph Crawhall III
・ Joseph Creer
・ Joseph Crehan
・ Joseph Crepin
・ Joseph Crescent McKinney
・ Joseph Crespino
・ Joseph Cresswell
・ Joseph Creswell
・ Joseph Cribb
・ Joseph Crockett
・ Joseph Crockett Shaffer
・ Joseph Crone
・ Joseph Crook
・ Joseph Cropsey


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Joseph Crawhall II : ウィキペディア英語版
Joseph Crawhall II

Joseph Crawhall II (1821–1896) was born at West House, Newcastle.
==Life==
Crawhall, like his father (also Joseph), a Newcastle ropemaker, was interested in writing and water-colour painting. He went on to produce many books, illustrated by himself. His first (printed by himself in 1859) was entitled ''The Compleatest Angling Booke That Ever was Writ''. The second edition (printed in 1881) contained illustrations from his son, Joseph Crawhall and James Guthrie (1859–1930).
Crawhall was a friend of Charles Keene (1823–1891), illustrator of ''Punch'', and they worked together for over 200 drawings for the journal. There are 21 albums of these drawings in the Kelvingrove Art Gallery and Museum.
Joseph Crawhall II was a man of many talents. As well as a wood engraver and writer, he was a businessman, patron of the arts, campaigner for the preservation of architecture, collaborator of Charles Keene, book designer, collector of antiquities, and keen angler, as well as becoming secretary of the Newcastle Arts Association in 1880. Fully absorbed in the life of a thriving and productive city, he made a significant contribution to Newcastle in every area of interest that he pursued.
In his role as a collector of antiquities he published “A Beuk o’ Newcassell Sangs Collected by Joseph Crawhall” in 1888. It too was a pictorial book, giving in this case, the lyrics of the songs, in many cases the actual music, and all beautifully illustrated using his woodcuts.
The “‘A pictorial archive of quaint cuts in the chap book style”was published by Dover Press (and is now long out of print) is a collection of “quaint cuts” taken from their original, many of which lose their meaning when removed from the original context.

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